Taking Weapons Overseas: Guest Blog Post

Fast Write Now! Edit Hell Later!

It's November, and many writers around the world have chosen to challenge themselves to write a minimum of 50,000 words in 30 days. During November, the writing community often finds ways to come out of random hidey holes to write in groups, both online and offline. To some, the whole challenge is a daunting task. But for many people who have never written before, embarking on the challenge can be freeing. And for those who have been writing for a while, such a challenge forces us to examine our writing habits—and sometimes, reset our routines.

Every year, I share my thoughts about how aiming for the high word counts shouldn't be your ultimate goal. In my opinion, the challenge to write 50,000 words in a month is about developing writing habits that will carry you through into your future writing career.

With that in mind, we need to address certain practices that will help you write fast now, but avoid the editing hell later.

Spy Toys: Seeing in the Dark

When writing our stories, we need to understand all aspects of our characters to help bring them to life on the page. Sometimes, that all important characterization is not about the way a character thinks or acts, but rather the toys that they have at their disposal. Let's face it, James Bond wouldn't be the captivating creature he is without all the gadgets and specially designed toys given to him by Q. Maxwell Smart would be nothing without his shoe phone. Batman would be just some spoiled billionaire without the famous gadget belt. And Judge Dread... Well, Judge Dread is Judge Dread, and he can do whatever he wants, even if it's blow up half the city.

But what about the men and women who are the real counterparts to our favorite spy-like fictional characters? Sure, they have their guns, the knives, and whatever other weapons they can get their hands on, but some gadgets at their disposal feel like they come out of science fiction. I'm talking about the toys they use to help them see their targets.

Exposition: A Literary Term Defined

Put your hand up if you are one of the many writers out there who hears one of the many terms that industry professionals throw out at you and you blink. "What exactly does that mean?" Let's not forget how stupid we feel for not knowing. However, there are so many well-known writers who are just as much in the dark about some of these terms as the rest of us.

In a recent post, I defined the term purple prose. Today, I want to talk about another term that tripped me up when I first started (and trips up so many new writers, understandably so): Exposition.

Basically, exposition is a comprehensive description of an idea. That is the dictionary definition, but what does this mean for writing?

Everyday Carry for the Spook: Guest Blog Post

Those who work with the intelligence agencies or special forces are often known as Spooks or Ghosts. Well, it turns out that a few of Real Spooks found out about our Assassins, Spies & SAS blog series and decided to lend a helping hand. They love how we just want writers to portray this special breed of characters correctly in a story. They want us to get inside the inner workings of their minds. (Although, some of their inner thoughts might be a little too scary even for me.)

Today's post really was written by a person who works in the intelligence industry. As a thriller writer, Judy L Mohr (the Black Wolf Editor herself) has amassed some creepy contacts. Don't ask. Just accept. And no, you can't ask us for their contact details. Go find your own creepy contacts.

Everyday carry (EDC) is a collection of things you carry with you on a daily basis when you are outside your house. There can, and will, be some variation. However, there will be some items you always carry.

My everyday carry consists of:

My wallet - do I need to explain this one?
My cell phone
A battery pack for my cell phone
A firearm
A knife
$100 in cash (small bills, i.e., $20's)
A multi tool
A signal blocking bag
A flashlight

Now that I have explained what I carry, please allow me to explain some of the items.

Purple Prose: A Literary Term Defined

There are many different terms that are commonly used within the publishing industry that many new writers look at those terms with one simple response: "Huh?" Even a few experienced writers will look at those terms and be completely baffled.

Over the past few weeks, I've been compiling a list of these terms. The list is actually quite extensive, and much bigger than I first thought. I've decided that it's time to help new and experienced writers to learn what some of these terms mean, so if you ever encounter them in an editorial report, you're not completely confused by what the editor is saying.

Let's start with one that tripped me up when I first started as a writer: Purple Prose.

To put it simply, purple prose is any passage that is excessively descriptive.

Using an Editorial Synopsis to Find a Story Split

So you've gotten into writing this story idea, and the word counts are steadily climbing. You're not even a third of the way through your intended plot, and already you've hit the industry accepted word count for your genre. Before you rush off to turn your manuscript into a trilogy, think this through.

As I've discussed before in the post Length matters, but story matters more, agents and editors use word counts as a first-level indication of the maturity of the writing. Going dramatically over what is considered to be an acceptable word count length could be a sign of over writing — writing that is filled with too much backstory or unnecessary description. Yet, coming under the word count could be a sign that not enough attention was given to the details — that a story is all tell and no show.

But let's say that you are the most gifted writer on the planet, and that every word in your manuscript has its purpose. (We'll ignore the fact that a professional editor will have different ideas, but we'll carry on.) There is no way that you can do your story proper justice in a single book. Or maybe you set out from the beginning to actually write a series.

The place where a novel finishes is NOT when you hit 100,000 words, but rather when a story plot arc comes to a conclusion. This is where the dreaded synopsis can help in a big way.

Writers who are heading down the traditional publication path are likely about to scream at me. Synopses are scary things — whittling that 80,000+ words into only 500. But that's a submission synopsis. What I'm talking about is an editorial synopsis.

Creating Focus for Your Writing

I don’t know about anyone else, but I have a large number of writing projects on the go. Every time I turn around, there’s another idea that pops into my head that calls my attention. However, one needs to find a way to focus their writing efforts, so they actually complete their projects.

Developing focus is one of the topics that I have found myself talking about with my mentoring clients and in my personal writing groups. There seems to be a general consensus. If you are wanting to eventually turn your writing into a way of making a living, you need to tackle this issue by compartmentalizing your writing.

Let me explain further.
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Assassins, Spies and SAS. Oh My…

In a recent post, Fight Scenes: Instinct & Perspectives, I spoke about emotional engagement and the perspectives used for writing fight scenes. I touched on fight-or-flight, and how a writer can use that to their advantage. However, I also spoke about believability. If elements of your fight scene delve into the unbelievable, you will lose your reader.

While most people are able to easily visualize how the average Joe will respond in a fight, what their actions would be, and their capabilities, there is one type of fighter that is often used within fight scenes that majority of people can't truly relate to.

I'm talking about those characters who are highly trained to be assassins, spies and special forces soldiers (or SAS, as they are known in some countries). While all of these characters will have different backgrounds and different skill sets, there will be commonalities to the way they behave. Their reactions to a given situation can almost be predicted.

Fight Scenes: Instinct & Perspective

Recently, I have found myself in multiple situations where I’ve been shoulder-tapped to look over the fight scenes of others. It’s ironic that I’ve developed a knack (and a love) for those action-pumping scenes that often result in carnage and death. I’ve come a long way since my husband’s single feedback line of my high fantasy novel (feedback given nearly 8 years ago now): “Your fight scenes suck.”

(Geez… Love you too, hubby.)

However, as much as that original critique strung, I persevered, and analyzed to death what makes a good fight or action scene. (Pun intended.) Now, nearly 8 years later, those action-filled scenes that get the heart pumping pour out of me with ease—and the body count rises significantly.

Category Archives: Writing and Editing