Young woman at a computer, surrounded by "Hello" in different languages.

How to Write Realistic Dialogue with non-native English Speakers

Writing takes a community, sharing ideas and supporting one another. So, when we get approached with an article that shares hard-earned knowledge, we couldn't be happier to pass that information.

When Meredith Rankin reached out to me with an article about how to write dialogue with those who are still learning how to speak English, I was over the moon. While I am surrounded by those whose first language wasn't English (my own husband being one of them), it never occured to me how to treat this in the written form. But Meredith has some solid advice for writers.

Over to you, Meredith.

How to Write Realistic Dialogue between English Speakers and English-language Learners

Fiction often treats second language fluency as an all or nothing issue. Either the characters are completely fluent in the second language, or they’re completely ignorant of the language. That’s unrealistic. In my latest manuscript, I tried to convey the complexities of language learning.

Realistically, becoming totally fluent in another language takes years for most adults. Everyone learns at different speeds and the learning process is affected by myriad factors, including some outside the learner’s control. When I volunteer-taught English as a foreign language (EFL), I had students who were homebound because they had poor health or caring for loved ones; I had other students who were immersed daily in the language. Their progression differed accordingly.

Read More

Understanding the Nature of the Antagonist

When we start the conversation about the protagonist and the antagonist, some writers instantly jump to the conclusion that we are referring to a good-guy-vs-bad-guy story.

One might ask, "What if I don't have a villain in my story?"

My response: "Not all stories have villains. But all stories have characters striving towards a goal of some sort… and there is always something getting in the way."

I dove deeper into this idea in a previous post, highlighting that the role of the antagonist in a story is to get in the way of the protagonist achieving those goals, whatever those goals happen to be. But your protagonist is not necessarily the good guy of the story. And the antagonist is not necessarily another character. The good-guy-vs-bad-guy concept is one of many protagonist/antagonist pairings that might exist.

It's time to take a dive into the different types of antagonists found in stories. And not all of them are characters. We'll be looking at the classic good-guy-vs-bad-guy trope, but we're also going to dive into man-vs-nature and man-vs-self.

Read More

The Role of the Antagonist

When we start the conversation about the protagonist and the antagonist, some writers will instantly jump to the conclusion that we are referring to a "good guy vs bad guy" story.

One might ask, "What if I don't have a villain in my story?"

My response: "Not all stories have villains. But all stories have characters striving towards a goal of some sort… and there is always something getting in the way."

It is that understanding of a character's goal, and consequently what is getting in the way, that helps us to understand the protagonist and antagonist for our story.

In today's post, I want to examine what really makes the protagonist the protagonist… and what the role of the antagonist is.

Read More