Category Archives: Calculators

For NaNoWriMo, word counts or daily habits?

I took part in my first NaNoWriMo challenge in 2014. I was still finding my feet as a fiction writer, even though I had been writing fiction since 2008. But that first NaNoWriMo, I was determined to develop my daily writing routine. Challenging myself to produce a decent word count every day seemed like a good idea.

During NaNoWriMo 2014, I hit the required 50,000 words by day 11. I had finished drafting that novel by day 16, and it clocked in at over 65,000 words—still missing all the action scenes. By the end of that month, I had written in the order of 95,000 words, scenes that formed the guts to three different novels in my high fantasy series (which is still sitting in the metaphorical drawer).

Since then, I have taken part in every single NaNoWriMo and CampNaNoWriMo event, and I am now the municipal liaison for both the Christchurch, New Zealand and the New Zealand Elsewhere regions.

Yes, I am a fan of NaNoWriMo.

But as I've become more comfortable with my writing habits, I've noticed an ethos that seems to accompany many NaNoWriMo participants that can actually be damaging to a long-term writing career.

There are some writers who take the 50,000-word-count challenge to extremes, trying to write 50,000 words in one night. No joke. In my home region of Christchurch, New Zealand, there is always at least one who forgoes sleep to achieve such a crazy feat.

In my opinion, the writers who do this are not simply crazy, but are missing the point.

The focus of NaNoWriMo has become so wrapped up in word counts that many participants seem to have lost sight of the original intention behind NaNoWriMo—to write the first draft of a novel.

It's time to shake up the word-count mindset and give renewed life to the original idea by changing the measurable goal.

Are you with me?

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Is my story too short?

Normally, when I have a conversation with someone about story length, it's because the writer has written an opus that needs to be trimmed down. This is often the result of too much backstory or unnecessary word building and character description that only distracts from the story as a whole. Trimming a story down is where I'm the queen. (Okay, I'll admit it... I overwrite my own stories in early drafts. I've developed the skills and techniques needed to trim word counts quickly, bringing a story back in line with where it should be.)

However, occasionally, I find myself having a conversation about how a story is actually too short based on the elements presented. There might be too many named characters. Or the setting plays too big of a role for the word real estate available. Or perhaps, there were too many twists and turns and not all the threads were adequately explored.

This is more often seen in shorter story forms, like short stories and novellas, and trying to explain the minimum word count needed to do a story justice is not an easy concept to fathom.

In episode 12.27 of the podcast Writing Excuses, Mary Robinette Kowal introduced an equation that she uses to work out how long a story should be based on the number of characters, number of locations and the number of MICE elements (and NO, I'm not talking about those little things that go squeak, squeak, or those devices that we click repeatedly when the computer refuses to respond). So, let's get to it and break the mathematics down.

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