#CockyGate: There are lessons to be learnt.

This week, I’ve been watching the Twitter and Facebook feeds with my jaw dropped. #CockyGate has been this tornado that measures 5 on the Fujita scale, and no writer is safe from the disaster left in its wake. For those of you who have no clue what I’m talking about, I’m referring to the trademark that was issued to a romance writer, effectively granting her sole possession of the word cocky. I know that might sound like an exaggerating, but the responses from Amazon and Goodreads in relation to this mess has meant that the publishing industry is about to face a massive revolution.

I won’t go into the details of the ludicrous situation. If you are interested in the little details, just Google it. Trust me. There is a mountain of articles and information out there about it.

No, I want to focus on the effects of social media and how mob psychology works. I want to talk about how one woman destroyed her reputation and likely her writing career. And it wasn’t by this trademark disaster. Granted, that didn’t help in the slightest. No, in today’s industry, so much of your reputation and sales relies on public perception and the face presented online.

There are lessons to be learnt from this mess, that’s for sure.

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Creating Focus for Your Writing

I don't know about anyone else, but I have a large number of writing projects on the go. Every time I turn around, there's another idea that pops into my head that calls my attention. However, one needs to find a way to focus their writing efforts, so they actually complete their projects.

Developing focus is one of the topics that I have found myself talking about with my mentoring clients and in my personal writing groups. There seems to be a general consensus. If you are wanting to eventually turn your writing into a way of making a living, you need to tackle this issue by compartmentalizing your writing.

Let me explain further.

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Writing to Become a Published Writer

Most writers start their journeys with the idea that they will eventually become published. That is an admirable goal and one that I support wholeheartedly. There will be a few who have no desire to head down that path, and I support that decision too. Writing is a journey that is different for everyone.

However, for those determined to one day be published, be it self-published or traditionally published, there is a particular mindset that you will need to develop. This is just a few things that you will need to do to the help you on your journey toward the road of success.

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100 Deadly Skills by Clint Emerson

Pictographic Deadly Skills

I'm always on the hunt for reference materials that I can use to help me understand either how characters think, or how to describe certain scenarios within my personal writing. Finding those books that help me to get the details right when blowing things up is a gold mine (pun intended).

As a thriller writer whose favorite characters to write are assassins, I was bouncing up and down in excitement when I encountered 100 Deadly Skills by Clint Emerson. And its companion, 100 Deadly Skills: Survival Edition, is just as awesome.

They are two books that have found their way onto the list of recommended books for writers from the Black Wolf Editor, and here's why.

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Spying Man

Assassins, Spies and SAS. Oh My…

In a recent post, Fight Scenes: Instinct & Perspectives, I spoke about emotional engagement and the perspectives used for writing fight scenes. I touched on fight-or-flight, and how a writer can use that to their advantage. However, I also spoke about believability. If elements of your fight scene delve into the unbelievable, you will lose your reader.

While most people are able to easily visualize how the average Joe will respond in a fight, what their actions would be, and their capabilities, there is one type of fighter that is often used within fight scenes that majority of people can't truly relate to.

I'm talking about those characters who are highly trained to be assassins, spies and special forces soldiers (or SAS, as they are known in some countries). While all of these characters will have different backgrounds and different skill sets, there will be commonalities to the way they behave. Their reactions to a given situation can almost be predicted.

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Arguments

Fight Scenes: Instinct & Perspective

Recently, I have found myself in multiple situations where I’ve been shoulder-tapped to look over the fight scenes of others. It’s ironic that I’ve developed a knack (and a love) for those action-pumping scenes that often result in carnage and death. I’ve come a long way since my husband’s single feedback line of my high fantasy novel (feedback given back in 2010): “Your fight scenes suck.”

(Geez… Love you too, hubby.)

However, as much as that original critique strung, I persevered, and analyzed to death what makes a good fight or action scene. (Pun intended.) Now, all these years later, those action-filled scenes that get the heart pumping pour out of me with ease—and the body count rises significantly.

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When Newsletters and Blogs Find the Trash

I subscribed to a range of blogs and newsletters from a variety of sources. Recently, because of the sheer number of subscriptions that I have, I've starting clearing out these emails using my smartphone. There has been a trend to my behavior, and it is formulaic.

For some emails, I just hit delete, never getting past the subject line. Other emails, I skim through to the end, and still hit delete. There are a few that I'll actually click the links and read more.

Everyone will have their own criteria for hitting the delete button, and it really can be as simple as a mood factor. However, there appears to be some things that I honestly believe are person-independent.

Maybe it's time to break this right down.

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15 Seconds an Email

Recently, I decided to run a little experiment, and recorded the results. I recorded how I reacted to certain newsletters and blog subscriptions that were delivered to my inbox.

It might sound boring, but trust me, you might find it enlightening.

17 minutes to go through 66 emails. That's an average 15 seconds an email. Of those 66 emails, only 11 survived in my inbox to be looked at later. 3 were marked as share with others, and 2 were flagged to look at in more detail. But of 66 emails, only 1 was actually read while checking emails (off screen, of course). That's not good odds for the carefully constructed message that found its way into my inbox. However, what you might find surprising is that majority of the deleted emails found the trash because the distribution list provider sent the emails in a format that I couldn't read on my iPhone.

Take a look at the sped up footage. I'm willing to bet that you go through your emails just as fast, if not faster.

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Show the story. Tell the ride through the countryside.

Show the emotions. Show the setting. Show the complexities of your mind. Show this. Show that.

Oh, before I forget, tell that ride through the countryside. Tell that little backstory through dialogue. Tell the oral history.

When does one use tell? Should I always show? At what point is it too much show and not enough tell?

Show. Show. Show. Tell. Tell. Tell. It can seriously do your head in.

Understanding the difference between the two is one thing. Striking a balance between them to keep your reader engaged is another. For the moment, let's focus on the first issue.

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A Thesaurus Series for Showy Writers

Many writers are familiar with the mantra of Show, Don’t Tell. Exactly what it means is a subject that is up for debate, and not what this post is about. Nope. This post is looking at a few resources for writers that are designed to help writers show their stories.

I am talking about the Thesaurus series by Angela Ackerman and Becca Puglisi.

Let me start by saying that I’m not getting anything out of promoting these books. They are on my list of recommended books for writers, because I honestly feel that they are brilliant resources that every writer serious about writing fiction should invest in. Let me explain why.

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