Exercises in Perception

Take the time to develop your understanding of how different characters will perceive the world in different ways. As you work through these exercises, push yourself to use the mechanism of show to delve deeper into a character’s thoughts and inner working.

Fast Write Now! Edit Hell Later!

It's November. All around the world, writers are embarking on the NaNoWriMo challenge — aiming to write a minimum of 50,000 words in 30 days. The writing community often finds ways to come out of random hidey holes to write in groups, both online and offline. To some, the whole challenge is a daunting task, but trust me, by taking part in NaNoWriMo, you'll discover aspects of your own writing habits that you either need to change or enhance, making writing a habit.

Every year, I share my thoughts about how aiming for the high word counts shouldn't be your ultimate goal. Yes, to win the prizes from NaNoWriMo, you need to complete 50,000 words, but with the award system being 100% honesty based, anyone can reach 50,000 words. Sorry, folks, but I stand by my view: the real goal of NaNoWriMo is to develop writing habits that will carry you through into your future writing career.

With that in mind, we need to address certain practices that will help you write fast now, but avoid the editing hell later.

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NVG with red filter

Spy Toys: Seeing in the Dark

When writing our stories, we need to understand all aspects of our characters to help bring them to life on the page. Sometimes, that all important characterization is not about the way a character thinks or acts, but rather the toys that they have at their disposal. Let's face it, James Bond wouldn't be the captivating creature he is without all the gadgets and specially designed toys given to him by Q. Maxwell Smart would be nothing without his shoe phone. Batman would be just some spoiled billionaire without the famous gadget belt. And Judge Dread... Well, Judge Dread is Judge Dread, and he can do whatever he wants, even if it's blow up half the city.

But what about the men and women who are the real counterparts to our favorite spy-like fictional characters? Sure, they have their guns, the knives, and whatever other weapons they can get their hands on, but some gadgets at their disposal feel like they come out of science fiction. I'm talking about the toys they use to help them see their targets.

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A Synopsis is NOT a Blurb

Over the past few weeks, I’ve been helping writing buddies prepare submissions for various writing contests. From PitchWars through to RWNZ’s Great Beginning, each of these contest required a synopsis as part of the submission packet. PitchWars required a query letter too. However, there was one thing that seemed to be a constant theme: there was confusion about the difference between a synopsis and a blurb.

To put it simply, a blurb is the short teaser that snags the interest of a reader, enticing them to read more. This is what is typically used on the back cover of a printed book. It’s a blurb that one will find in a query letter.

A synopsis is the spoiler alert, containing ALL plot points from the main thread of the story from start to finish, including the ending. It’s an editing tool that the public will never see unless you let them.

Let’s break this down a bit further.
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Exposition: A Literary Term Defined

Put your hand up if you are one of the many writers out there who hears one of the many terms that industry professionals throw out at you and you blink. "What exactly does that mean?" Let's not forget how stupid we feel for not knowing. However, there are so many well-known writers who are just as much in the dark about some of these terms as the rest of us.

In a recent post, I defined the term purple prose. Today, I want to talk about another term that tripped me up when I first started (and trips up so many new writers, understandably so): Exposition.

Basically, exposition is a comprehensive description of an idea. That is the dictionary definition, but what does this mean for writing?

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Spying Man

Everyday Carry for the Spook: Guest Blog Post

Those who work with the intelligence agencies or special forces are often known as Spooks or Ghosts. Well, it turns out that a few of Real Spooks found out about our Assassins, Spies & SAS blog series and decided to lend a helping hand. They love how we just want writers to portray this special breed of characters correctly in a story. They want us to get inside the inner workings of their minds. (Although, some of their inner thoughts might be a little too scary even for me.)

Today's post really was written by a person who works in the intelligence industry. As a thriller writer, Judy L Mohr (the Black Wolf Editor herself) has amassed some creepy contacts. Don't ask. Just accept. And no, you can't ask us for their contact details. Go find your own creepy contacts.

Everyday Carry: Advice from a Ghost

Everyday carry (EDC) is a collection of things you carry with you on a daily basis when you are outside your house. There can, and will, be some variation. However, there will be some items you always carry.

My everyday carry consists of:

  • My wallet - do I need to explain this one?
  • My cell phone
  • A battery pack for my cell phone
  • A firearm
  • A knife
  • $100 in cash (small bills, i.e., $20's)
  • A multi tool
  • A signal blocking bag
  • A flashlight

Now that I have explained what I carry, please allow me to explain some of the items.

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Purple Prose: A Literary Term Defined

There are many different terms that are commonly used within the publishing industry that many new writers look at those terms with one simple response: "Huh?" Even a few experienced writers will look at those terms and be completely baffled.

Over the past few weeks, I've been compiling a list of these terms. The list is actually quite extensive, and much bigger than I first thought. I've decided that it's time to help new and experienced writers to learn what some of these terms mean, so if you ever encounter them in an editorial report, you're not completely confused by what the editor is saying.

Let's start with one that tripped me up when I first started as a writer: Purple Prose.

To put it simply, purple prose is any passage that is excessively descriptive.

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Using an Editorial Synopsis to Find a Story Split

So you've gotten into writing this story idea, and the word counts are steadily climbing. You're not even a third of the way through your intended plot, and already you've hit the industry accepted word count for your genre. Before you rush off to turn your manuscript into a trilogy, think this through.

As I've discussed before in the post Length matters, but story matters more,  agents and editors use word counts as a first-level indication of the maturity of the writing. Going dramatically over what is considered to be an acceptable word count length could be a sign of over writing — writing that is filled with too much backstory or unnecessary description. Yet, coming under the word count could be a sign that not enough attention was given to the details — that a story is all tell and no show.

But let's say that you are the most gifted writer on the planet, and that every word in your manuscript has its purpose. (We'll ignore the fact that a professional editor will have different ideas, but we'll carry on.) There is no way that you can do your story proper justice in a single book. Or maybe you set out from the beginning to actually write a series.

The place where a novel finishes is NOT when you hit 100,000 words, but rather when a story plot arc comes to a conclusion. This is where the dreaded synopsis can help in a big way.

Writers who are heading down the traditional publication path are likely about to scream at me. Synopses are scary things — whittling that 80,000+ words into only 500. But that's a submission synopsis. What I'm talking about is an editorial synopsis. 

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Creating Focus for Your Writing

I don’t know about anyone else, but I have a large number of writing projects on the go. Every time I turn around, there’s another idea that pops into my head that calls my attention. However, one needs to find a way to focus their writing efforts, so they actually complete their projects.

Developing focus is one of the topics that I have found myself talking about with my mentoring clients and in my personal writing groups. There seems to be a general consensus. If you are wanting to eventually turn your writing into a way of making a living, you need to tackle this issue by compartmentalizing your writing.

Let me explain further.
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Writing to Become a Published Writer

Most writers start their journeys with the idea that they will eventually become published. That is an admirable goal and one that I support wholeheartedly. There will be a few who have no desire to head down that path, and I support that decision too. Writing is a journey that is different for everyone.

However, for those determined to one day be published, be it self-published or traditionally published, there is a particular mindset that you will need to develop. This is just a few things that you will need to do to the help you on your journey toward the road of success.

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